Canto XI. Circle 6 / The Heretics; The Tomb of Anastasius; Virgil Discusses the Divisions of the Infernal City c. 15th century

Editor: This page, "Canto XI. Circle 6 / The Heretics," is from an anonymous edition of Dante's *Inferno*. I'm struck by the stark contrast between the intricate text and the somewhat crude illustration. What can you tell me about the context of this image? Curator: This is a fascinating example of how art disseminates complex ideas. The image accompanies text that wrestles with heresy. Consider how the printing press, as a relatively new technology, enabled the widespread distribution of such potentially subversive interpretations of religious and political authority. Editor: So, the artwork's power lies in its ability to challenge established norms through accessible media? Curator: Precisely. And think about the audience; how did this imagery shape their understanding of Dante's text and the socio-political implications of heresy itself? Editor: I never thought about how the printing press could amplify dissenting voices. It's interesting to see how art can act as a vehicle for social and cultural commentary.