Saucer c. early 18th century

Editor: Here we have a saucer, made by the Meissen Porcelain Manufactory. The porcelain feels so delicate, and the floral and avian decorations are charming. What do you see when you look at it? Curator: The concave form is interrupted by evenly spaced scallops. These undulations echo the organic, asymmetrical arrangement of the painted motifs. Note the precise rendering of each brushstroke, defining form through controlled application. Editor: So, it's not just about what's painted, but *how* it's painted? Curator: Precisely. The relationship between the decoration and the object's form creates a unified aesthetic experience. Form and application are in harmony. Editor: I'm starting to understand how the design contributes to the overall impact! Curator: Indeed. It encourages us to appreciate the craftsmanship and design.