Yoshiwara, from the series "Eight Views of Edo (Koto hakkei)" by Katsukawa Shunchō

Yoshiwara, from the series "Eight Views of Edo (Koto hakkei)" c. 1780 - 1801

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print, woodblock-print

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portrait

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print

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asian-art

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ukiyo-e

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woodblock-print

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genre-painting

Dimensions: 26.5 × 19.5 cm

Copyright: Public Domain

Curator: Standing before us is "Yoshiwara, from the series "Eight Views of Edo (Koto hakkei)", a woodblock print made sometime between 1780 and 1801 by Katsukawa Shunsho. Editor: It has such a wistful, almost melancholic mood, doesn’t it? The woman by the window looks utterly lost in thought. There’s a gentle sadness hanging in the air like mist. Curator: Indeed. This work offers us a glimpse into Yoshiwara, Edo’s pleasure district, and the lives of the women who lived and worked there. Katsukawa Shunsho, famous for his portraits, really captured the quiet moments of life within that very unique world. Editor: It's fascinating how Shunsho creates such intimacy with such graphic simplicity. Look at the patterns on the kimono, the stark black of the outer robe contrasting with the subdued background. You can almost feel the silk and the texture of the paper. Tell me, is that snow falling outside the window? Curator: It very well could be! These “Eight Views” prints often invoked traditional landscape themes, evoking seasonal changes as metaphors for the passing of time, and perhaps even of fleeting beauty, as the life of courtesans in Yoshiwara was. It also situates the women firmly in an indoor location, in contrast with a wide outdoor nature view. Editor: So much is unsaid, isn’t it? The woman gazes outwards, but her thoughts clearly wander inward. What do you think it meant to consume imagery like this during that era? Did it invite viewers to reflect on those fleeting moments as you said, or perhaps to pass judgement on those lives? Curator: Ukiyo-e prints like these had wide appeal across different social classes. Some certainly reveled in the detailed depictions of fashion and popular culture while for others, these images might have offered a moralizing message, reflecting societal norms around class and gender. The consumption of such images wasn’t a passive process but an active negotiation between social commentary and visual enjoyment. Editor: Negotiating societal norms sounds right. After all, is not the most simple, tender act often also loaded with a great complexity? It feels right, thinking about this print. Curator: A complex moment indeed, beautifully captured. Editor: It makes me want to linger with my questions even after the audio ends.

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