Gezelschap in een roeiboot in een grot bij Villa Pallavicini te Pegli by Celestino Degoix

Gezelschap in een roeiboot in een grot bij Villa Pallavicini te Pegli c. 1870 - 1890

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photography, gelatin-silver-print

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landscape

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photography

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group-portraits

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gelatin-silver-print

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picturesque

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genre-painting

Dimensions: height 208 mm, width 263 mm

Copyright: Rijks Museum: Open Domain

Curator: This photograph, a gelatin-silver print, is titled "Gezelschap in een roeiboot in een grot bij Villa Pallavicini te Pegli." It’s attributed to Celestino Degoix, and was likely taken sometime between 1870 and 1890. Editor: Immediately striking is the sharp contrast—the bright figures against the deep, inky cave. It creates an interesting push and pull; your eye is both drawn in and pushed back. Curator: Exactly. Villa Pallavicini, and its constructed grottoes, became quite popular in the late 19th century. Visiting was, in itself, a form of social performance and, thus, memorialized via photography. It's fascinating to consider how photography then shaped perceptions and aspirations of the ideal tour experience. Editor: Agreed. Look how deliberately composed it is, guiding your eye—the placement of the boat almost centrally, the textured rock face balancing the figures, not to mention the lighting which creates dramatic shadows enhancing the sculptural form of both people and environment. Curator: It highlights the increasing democratization of travel during the era. The burgeoning middle class had the means to explore and participate in leisure activities previously only enjoyed by the aristocracy, creating a ripple effect on social norms and expectations. The picturesque setting reinforces this new social mobility. Editor: There's something dreamlike too; the composition reminds me of staged tableaux. And, I have to say the tonality, those faded sepias, gives the scene such nostalgic warmth, despite the almost Gothic darkness of the cave. Curator: And the almost absurd tableau of figures crammed in that rowboat in what’s essentially an artificial grotto is a testament to the carefully constructed experiences that became synonymous with tourism and national identity formation during that period. Editor: Thinking about that tonal scale, it almost feels painterly. There is clearly intent to elevate, if not romanticize the every day. The arrangement, its carefully calibrated depth of field... I could study this image for hours. Curator: Indeed! It's a layered document; on the surface a simple group portrait, yet it reveals much about shifting cultural dynamics. Editor: What starts as visual fascination, culminates into a deep rumination. Perfect for further investigation.

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