Right Hand Study, for "Belshazzar's Feast" 1821 - 1822

Editor: Here we have Washington Allston's "Right Hand Study, for 'Belshazzar's Feast.'" The subtle gradations of tone create a delicate, almost ethereal quality. What strikes you about Allston's rendering? Curator: Note the artist’s precise manipulation of line and value to articulate form. Observe how the hatching defines the contours of the hand, lending it a sculptural presence despite its apparent weightlessness. Do you see how the negative space functions almost as a tangible element? Editor: I see that now. It’s like the hand is emerging from the paper itself. Curator: Precisely. Allston exploits the inherent properties of the medium to create an engaging visual interplay. Editor: I hadn't considered the active role of the negative space. Thanks! Curator: My pleasure. A careful look reveals much about the artist’s intent.