Rappa-Shu (Trumpeter) VII 1959

Editor: So this is Tadashi Nakayama’s 1959 print, "Rappa-Shu (Trumpeter) VII," created using ink. It's an explosion of shapes and colours that still feels quite contained. I find the bold geometry really striking. What formal qualities stand out to you? Curator: The strength of this piece, as you've observed, lies in its geometry. Consider the dominance of the central rectangle, its rough, textural interior in stark contrast to its sharp edges. Note how this shape anchors the composition. And, what role do you think the arrangement of color plays here? Editor: I think the red adds movement and vibrancy, it also appears quite deliberately scattered. But, I see it's balanced between sharp, focused dots and soft smudges. It also provides visual tension against the static geometry. Curator: Precisely. Consider also the interplay between positive and negative space. The ground acts as a visual counterpoint to the densely worked areas. Moreover, let us look to the materiality; how do the properties of ink create different areas of shade, creating the piece’s contrasting tonality and textural qualities. Editor: So, even with abstract forms, the composition follows rules and a balance, although they might be difficult to perceive at first! Curator: Indeed. It highlights how even seemingly freeform abstraction operates under its own internal logic of form and materiality. I appreciate how our analysis revealed those intentional design elements.