Etui voor een notitie-boekje by Louis Cousin

Etui voor een notitie-boekje 1777 - 1778

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Dimensions: height 8.5 cm, width 5.4 cm, depth 0.9 cm, weight 96 gr

Copyright: Rijks Museum: Open Domain

Curator: Well, this "Etui voor een notitie-boekje," or case for a notebook, from around 1777-78, and attributed to Louis Cousin...It's giving me such strong miniature-Rococo-storybook vibes, what do you think? Editor: My initial reaction is one of considering its preciousness as a loaded term. Its intricate details—the delicate tempera, the small landscape—all scream wealth and privilege during a period ripe with inequality and revolt. How might something like this reflect or perhaps deflect from larger social tensions? Curator: I see your point. It's easy to get lost in the "oohs" and "aahs" of that ornate golden frame, and the velvet interior. But it's more than just opulent! Look at those tiny figures in the miniature landscape – tiny people caught in the big Rococo whirlwind! And that inscription "Souvenir"... It hints at something deeply personal and emotional, no? A tiny memento from a different, disappearing world. Editor: Exactly. "Souvenir" speaks to a desire for preservation amidst imminent change. Note too how the miniaturized pastoral scenes, hallmarks of Rococo escapism, conveniently sidestep depictions of contemporary urban realities marked by poverty and social stratification. In essence, it offers a carefully curated glimpse of the world, deliberately obscuring inconvenient truths. Curator: Obscuring, or perhaps offering an escape? Remember the etui is itself functional, made for holding ideas and impressions. Could it be an artist’s way of hinting at how the beauty can also serve a purpose – preserving dreams for future use, reminding one what one stands for? Editor: Functionality aside, even in its time, an object like this was coded as inherently feminine, right? Luxury, sentimental value, decorative purpose—each facet plays into established norms. It almost demands that we inquire into whose souvenir this was, whose story was being carefully contained. Curator: Yes, there's that tension between individual story and cultural statement; beautiful box, intriguing whispers inside! It prompts us to rethink how objects like these really carry coded dialogues across generations. Editor: It really invites a continuous engagement. When seen in context, such adornments transform into compelling artifacts ripe with critical information; pieces that still challenge us, demanding more from how we remember our world.

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