Untitled (lion jumping down on plank over trainer) c. 1950

Editor: This is an untitled gelatin silver print by Jack Gould, showing a lion jumping over a trainer. It's striking how the inverted tones almost flatten the perspective. What formal elements stand out to you? Curator: The stark contrast and dramatic composition immediately capture attention. The diagonal line created by the lion's body in mid-leap, juxtaposed with the trainer's bent form, generates a dynamic tension. The cage bars create a grid-like structure, further emphasizing the artificiality of the scene. Editor: So, the formal elements highlight the constructed nature of the image, rather than just capturing a moment? Curator: Precisely. Consider the negative space, the areas devoid of detail. They function as integral compositional elements, contributing to the image's overall balance and impact. Editor: I see it now; the form itself communicates confinement and control. Thanks, that really changed my perspective! Curator: Indeed. Focusing on these elements lets us appreciate the artist's choices and their effects on the viewer.