Mlle. Carmen, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 1885 - 1891
Dimensions: Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)
Copyright: Public Domain
Editor: This is a fascinating photographic print: "Mlle. Carmen, Paris," dating from between 1885 and 1891, part of the "Actors and Actresses" series. It looks like it was originally an advertisement for Virginia Brights Cigarettes. It's striking how posed and staged it feels. What do you see in this piece, especially considering its initial purpose? Curator: It's important to consider the socio-economic context here. Tobacco cards like this one exploded in popularity during this era, reflecting the burgeoning consumer culture and the rise of mass media. These cards weren't just advertisements; they were collectible objects. Think about who these images targeted. Who was consuming cigarettes and these promotional items? What kind of fantasy or aspirational lifestyle did Mlle. Carmen represent to them? Editor: So it’s about selling a lifestyle as much as cigarettes. Mlle. Carmen, a performer, represents a world of glamour and excitement… but also perhaps reinforces certain expectations of women in the public sphere at that time? Curator: Precisely. These images are never neutral. Consider the performative aspect here – Mlle. Carmen isn’t simply posing; she's enacting a role, which reflects how women entertainers were often seen. These images, disseminated widely, helped shape public perceptions of female performers and, by extension, women generally. It's worthwhile investigating more closely the societal values promoted through popular media like cigarette cards. Editor: That’s really interesting, the photograph operates on so many levels at once. What’s been really helpful is thinking about the way the artwork functions within a larger social structure and the possible intended consumer of it. Curator: Absolutely. The art isn't just on the card; it’s in the exchange between the object, the company producing the artwork, and those receiving the image within that cultural climate.
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