Portrait of Adrien-Maurice, Duke of Noailles by Pierre Drevet

Portrait of Adrien-Maurice, Duke of Noailles after 1721

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drawing, print, paper, engraving

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portrait

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drawing

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baroque

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print

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paper

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france

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line

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history-painting

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engraving

Dimensions: 445 × 360 mm (image/sheet; cut within plate)

Copyright: Public Domain

Curator: Here at the Art Institute of Chicago, we have an engraving created after 1721, Pierre Drevet’s "Portrait of Adrien-Maurice, Duke of Noailles." It's quite something, isn’t it? Editor: Yes, immediately, there's an almost dreamlike quality to it. That intricate armor and enormous wig seem to float against the dark background, drawing your eye directly to the Duke’s expression. What I'm seeing here is not just military prowess, but also some intense inner calculation. Curator: Absolutely. Drevet really captured something of his complex personality. It’s an engraving, so the image is formed from thousands of tiny lines, a feat of meticulous detail. He presents Noailles, a prominent figure in the court of Louis XIV, not only in armor signifying his military status, but look at the details: the lace collar, the chain. These speak volumes about his noble lineage and refined status. Editor: And see how the oval format and the surrounding inscription become an integral part of the composition, a kind of semiotic frame declaring his many titles? Curator: Precisely! The very crispness of the lines and that controlled use of shading make the Duke look like a monument of power. You almost hear trumpets announcing him when you gaze at the engraving. The work presents its cultural themes of court, politics, and war without reservation, embedding each inside the symbolic language of the figure's dress and posture. Editor: Though, if I may say, it's interesting to ponder the dissonance between such power rendered in so delicate and easily damaged a medium as paper. A tiny, relatively humble object bearing the weight of an era! There is some serious counterpoint going on. The artwork also highlights how visual and physical artifacts shape historical narrative and cultural values. Curator: I agree entirely. I find the portrait a potent emblem of a time obsessed with portraying power through image, line, and the enduring strength of paper. Editor: Well, it’s certainly left me contemplating power and vulnerability today. Thanks for sharing!

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