Kopie naar een vrouwfiguur in toga door Rafaël 1867

This drawing, a copy after Raphael made by Maria Vos, is created with graphite on paper. Graphite, a form of carbon, is a humble material, yet capable of great subtlety. Notice how Vos uses the qualities of graphite – its ability to create delicate lines and soft shading – to capture the flowing drapery and the figure's form. The marks on the page build up a sense of depth and texture, transforming a flat surface into an illusionistic space. The way the graphite adheres to the paper, leaving a trace of the artist’s hand, connects us to the physical act of drawing. Consider that Vos would have spent hours studying Raphael's work, carefully observing and recreating each line and shadow. This act of copying was not just a technical exercise, but a way for Vos to internalize the artistic principles and master the skills of the Renaissance masters. It reflects a commitment to craftsmanship and a deep engagement with art history.