engraving
allegory
baroque
figuration
classicism
line
history-painting
engraving
Dimensions: height 237 mm, width 172 mm
Copyright: Rijks Museum: Open Domain
Editor: Here we have Simon Fokke’s 1748 engraving, "Allegorie op het jubileum van Nederlands Vrijheid, 1648-1748," currently at the Rijksmuseum. It's packed with figures, light, and shadow... almost overwhelmingly so. How do you even begin to unpack something this intricate? Curator: I see a dense layering of historical narrative, classism and symbolism all interwoven. The "jubileum" or jubilee celebrated here signifies a specific point in Dutch history. Note how the allegorical figures act as stand-ins for the complex sociopolitical currents of the time. How do the fallen symbols of war on the bottom contrast to the figures in the sky and those in robes behind the woman holding the document? What might those visual juxtapositions tell us? Editor: I guess the fallen arms and broken sculptures at the bottom contrast with the angelic figure up above, and suggest the triumph of peace or maybe prosperity after war. Curator: Exactly! And consider the female figures dominating the center of the piece – the Dutch Virgin. How are women, both as symbols and societal actors, being positioned within this narrative of national identity and liberation? Editor: So it's not just a straightforward celebration of freedom, but also a carefully constructed statement about Dutch identity, using these gendered allegories and symbols of both conflict and harmony. Curator: Precisely. It makes you wonder who this jubilee truly served, and whose stories are being valorized in this representation. Is the image upholding the rights of women and the poor? Where can you draw those conclusions from the symbolism? What can you tell about that hierarchy based on your perception of what is portrayed? Editor: I hadn’t really thought about that. Thanks, it gives me a new way to look at what I thought was a straightforward historical picture. Curator: Indeed, this image, created in a time of emerging capitalism in Europe, calls on the necessity to ask the questions rather than simply admire.
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