Vier mannen aan boord van een platbodem aan de waterkant c. 1903 - 1908
photography, gelatin-silver-print
portrait
landscape
outdoor photograph
outdoor photo
archive photography
photography
historical photography
gelatin-silver-print
Dimensions: height 80 mm, width 110 mm, height 363 mm, width 268 mm
Copyright: Rijks Museum: Open Domain
Curator: This photograph, taken by Geldolph Adriaan Kessler around 1903-1908, shows "Vier mannen aan boord van een platbodem aan de waterkant" which translates to "Four men aboard a flatboat on the waterfront." It's a gelatin silver print and currently resides in the Rijksmuseum. Editor: My immediate thought is how much the grain and tone contribute to a feeling of subdued masculinity. The poses and setting make the ordinary appear…monumental. Curator: I find the photograph intriguing. Beyond just being a portrait, the image resonates with visual symbolism; the water and the boat carrying layered connotations of passage and labor. Note the mast, so deliberately centered - a symbol of aspiration. Editor: Absolutely. The materiality here speaks to a very specific time. Gelatin silver printing allowed for mass reproduction, making images more accessible. Were these men, and the boat itself, participating in any particular industry? Curator: Most likely these men were involved in some form of trade on inland waterways. Kessler, whether intentionally or not, captures this timeless quality. There's a stoicism in their expressions, mirroring the broader Dutch cultural understanding of man versus nature. Editor: That's fascinating. I see a very practical construction. This flatboat—built for function over aesthetics; the image challenges preconceived notions of "high" art versus workaday necessity. I’m curious what the specific history of this boat is. Curator: We might see the flatboat not merely as functional but as a cultural artefact. It is quite literally bearing the weight of Dutch economic and societal norms. The men themselves become a physical manifestation of these ideals. Editor: The process itself—the labour and alchemic quality in silver gelatin—emphasizes human involvement and challenges what digital reproduction might efface. Curator: Kessler gives the image, through his deliberate composition, and we’ve gleaned both its physical construction and layered symbolism. Editor: Indeed. It's through these intertwined histories that we fully appreciate this simple photograph’s complex and lingering appeal.
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