print, etching, engraving
neoclacissism
allegory
etching
old engraving style
figuration
history-painting
engraving
Dimensions: height 192 mm, width 251 mm
Copyright: Rijks Museum: Open Domain
This print, "God scheidt het licht van het duister", was made by Sophie Sibire sometime between 1740 and 1850. It’s rendered in a reddish-brown ink, likely using an etching or engraving technique. The image has a crafted feel, no doubt because it depends on the engraver’s hand, moving a tool across a copper plate. Consider the labor that went into this print. Each line carefully etched would have taken time and skill. The final print is, in effect, a multiplication of that effort, as many impressions could have been pulled from the plate. Prints like these were crucial for disseminating images and ideas in an era before photography. They made art accessible, connecting it to wider social issues of knowledge and consumption. When we look closely at the lines and textures, we can appreciate the artistry of the printmaker. It bridges the gap between fine art and the skilled trades, reminding us of the human effort behind every image.
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