photo of handprinted image
aged paper
light pencil work
homemade paper
pale palette
ink paper printed
light coloured
personal sketchbook
sketchbook drawing
watercolour illustration
Dimensions: height 157 mm, width 237 mm
Copyright: Rijks Museum: Open Domain
Curator: Here we have "Gezicht op de Pont Louis-Philippe," or "View of the Pont Louis-Philippe," created around 1876 by Alfred Alexandre Delauney. It’s currently part of the Rijksmuseum collection. What are your first thoughts? Editor: It evokes a certain melancholic feeling, doesn’t it? The muted tones, the way the light almost seems to diffuse everything...it’s very evocative. Curator: Delauney worked in a Paris still recovering from the Franco-Prussian War and the Paris Commune. The city was rebuilding, physically and politically. Views like this reflected that spirit of reconstruction, showcasing Paris's resilience, albeit in a delicate way. Editor: Definitely. You can see it as part of a larger movement of depicting urban spaces—the transformation of Paris was itself a socio-political project. Curator: Exactly! Think of Haussmann's redesign of Paris and the construction of the very bridge Delauney depicted; these projects served multiple purposes, reinforcing state power while projecting an image of modernity. Editor: It is fascinating how a piece with such delicate lines reflects these massive power shifts. Even the Pont Louis-Philippe itself, built in the 1830s, symbolized a break from the old monarchical order, named as it was for the then-reigning "Citizen King". What do you make of Delauney's rendering of the water? It almost blurs into the buildings. Curator: The mirroring of architecture in the water could reflect how artists perceived the restored Bourbon regime—looking to the past whilst seeking a modern vision. And the scale of production also tells us a great deal, this could easily be housed in a personal sketchbook. Editor: Precisely. This also begs the question about accessibility, as it reflects how this art made its way into private and public consciousness and reinforced ideas of civic identity. I look at this and I'm just overcome by questions of societal hierarchy. Curator: It’s striking how much Delauney manages to convey, in what might otherwise seem like a simple landscape. It becomes more loaded the more you think about it. Editor: I concur. Thank you for providing that insightful background! It truly shifts one's perspective on the work.
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