Belt c. 20th century

This belt, crafted anonymously and with unknown materials, is now part of the Minneapolis Institute of Art's collection. Look at the patterns, how the artist’s hand meticulously wove each strand to form these zigzags and geometric shapes. It’s not just a belt; it's a record of time and labor. The colors – muted reds, earthy greens, and creams – feel both ancient and immediate. I’m drawn to how the texture changes along the length of the piece, from tightly woven sections to looser, braided ends. Imagine the maker’s hands, the repetitive motion, the gradual accumulation of the pattern. It’s a dance between intention and improvisation, kind of like life, or painting. This work reminds me of Anni Albers, who elevated weaving to the level of fine art. Like Albers, this artist uses simple materials and techniques to create a complex, visually stunning object. It’s a reminder that art isn’t just about grand gestures or complex theories; sometimes, it’s about the quiet, persistent act of making.