-Toad on Stump- mechanical bank by E. Stevens

-Toad on Stump- mechanical bank c. 1886

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metal, bronze, sculpture

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metal

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sculpture

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bronze

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figuration

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geometric

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sculpture

Dimensions: 3 x 4 x 3 11/16 in. (7.62 x 10.16 x 9.37 cm)

Copyright: Public Domain

Curator: Ah, what a whimsical creation we have here. This is "Toad on Stump" a mechanical bank dating back to around 1886, crafted from metal, with an attributed artist being E. Stevens. It’s currently a featured treasure in the Minneapolis Institute of Art. Editor: It has this charming, yet vaguely ominous presence, like something from a cautionary children's tale. That toad, perched high with those unnerving red eyes, gives it an odd charm. Curator: The bank itself reflects a fascination in the late 19th century with both novelty and frugality. Mechanical banks were designed not just to save money, but to entertain, often with elaborate, story-driven mechanisms that animated the deposit process. They made saving appealing for children of all ages. Editor: I can see the appeal, this blend of practicality and visual drama—such pieces would almost certainly function as silent commentary. Think about the values embedded: saving is entertainment. Wealth acquisition becomes child’s play. This cute little amphibian is no accident. It has to speak to that period’s relationship with prosperity. Curator: Exactly! In those boom years, you'd find various versions of the so-called "performing animal" style bank, where a coin triggers a scene, teaching lessons of capital accumulation to children through fun engagement. It is quite likely the "frog on a stump" model bank was intended to symbolize the prosperity promised with a new harvest season or the fortune promised to miners in the area around that period. Editor: All things considered, what I really find interesting is that marriage of folklore with the mechanization of industry, all materialized into something meant to hoard capital! How curious…I suppose it's less fairy tale and more the rise of a peculiar cultural philosophy rendered in cold bronze. Curator: Well put! I believe our small, unassuming "Toad on Stump" is, as you pointed out, indeed a window into a larger world, a complex, contradictory era packaged into one amusing, interactive toy. Editor: It leaves me contemplating not just childhood but a bygone sense of American identity—both of them altered and solidified by each deposited penny. It might give one some food for thought next time they're considering modern money boxes or teaching about economic theories!

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