Man met stok, op zijn rug gezien by Ernst Willem Jan Bagelaar

Man met stok, op zijn rug gezien 1798 - 1837

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drawing, paper, ink, pen

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drawing

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comic strip sketch

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imaginative character sketch

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quirky illustration

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blue ink drawing

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narrative-art

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landscape

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cartoon sketch

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figuration

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paper

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personal sketchbook

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ink

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ink drawing experimentation

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sketchbook drawing

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pen

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storyboard and sketchbook work

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sketchbook art

Dimensions: height 117 mm, width 79 mm

Copyright: Rijks Museum: Open Domain

Curator: Well, what do we have here? This ink and pen drawing, entitled "Man met stok, op zijn rug gezien"—"Man with Stick, Seen From the Back"—dates sometime between 1798 and 1837 and comes to us from the hand of Ernst Willem Jan Bagelaar. Editor: Oh, there's a wistful vulnerability to this lone figure—a melancholic sketch of somebody at the edge of something… maybe the world, maybe just the end of the page? Curator: Precisely. The way Bagelaar renders the figure’s back—the cascading fabric, the subtle curve of the spine—it humanizes him. Even from behind, we sense a story. And, note how the staff grounds him, linking him to the earth. Editor: It's curious—the placement of those scrolls, or whatever they are, abandoned on the ground! It reads like a symbolic shedding, old narratives discarded for a new, uncharted direction, that open gesture seems almost beckoning. Curator: Or perhaps he’s simply paused, surveying a landscape no longer defined by those written guides. Think of the late 18th and early 19th centuries—massive social and intellectual upheaval, the Enlightenment giving way to Romanticism. Bagelaar situates his character on that cusp. Editor: But isn’t it about finding your path outside prescribed meanings? Maybe this lone wanderer throws those ideas, those words away, embracing raw feelings and visceral existence over formal pronouncements of “truth”? Curator: That very personal interpretation of nature was gaining precedence, it’s like the ink mimics those newfound emotive swells as well. His use of ink gives it almost a watercolor effect in certain points. The blue even enhances this reflective mood. Editor: Absolutely! Like he's looking to embrace whatever is to come. A subtle study of hope amidst what I see now, a certain lonely, uncertain landscape. Curator: It seems we've walked our own path today, reaching similar, yet different, destinations regarding this simple figure with a staff! A suitable ambiguity, I believe, to let it rest in.

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