Tempel van Apollo in Pompeï 1860 - 1889

Roberto Rive made this albumen print of the Temple of Apollo in Pompeii sometime in the mid-19th century. This was a period of intense archeological activity in Italy, as newly unified nation sought to define its cultural heritage. Rive’s image taps into this moment. Photography served as a powerful tool for documentation and dissemination, bringing ancient sites like Pompeii to a wider audience. By focusing on the Temple of Apollo, Rive highlights the grandeur of Roman civilization, subtly suggesting parallels between the past empire and the newly formed Italian state. The image's composition, with its meticulous detail and panoramic perspective, evokes a sense of scientific accuracy. This aesthetic aligned with the positivist spirit of the 19th century, where photography was seen as an objective medium for capturing and understanding the world. The history of photography and the archeological record provide valuable context for understanding this image. They reveal how art and technology intertwine with broader narratives of national identity, historical interpretation, and cultural preservation.