Woman After Bath 1915

Goyo Hashiguchi made this print, *Woman After Bath*, using woodblocks, ink, and paper. Woodblock printing is an ancient technique, but its revival in Japan during Goyo’s time coincided with a moment of great social change, as the country industrialized and engaged with the West. To create this image, a keyblock was carved to establish the composition, and then multiple blocks were used to apply layers of color. Notice how the flat planes emphasize the grain of the wood, especially in the background. This was a deliberate choice on Goyo's part, referencing both the traditions of ukiyo-e printing, and a modernist interest in truth to materials. Woodblock prints like this one were commercial objects, made in multiples for a broad audience. Yet, Goyo elevated the form through his exquisite craftsmanship, bridging the gap between popular culture and fine art. Appreciating the labor and artistry involved allows us to see beyond conventional categories.