Livia Augusta as Ceres; Agrippina Minor as a Muse; Aelius Verus Caesar c. 19th century

Editor: This print, titled "Livia Augusta as Ceres; Agrippina Minor as a Muse; Aelius Verus Caesar" by Gaetano Bonatti, presents these figures with such stark clarity. I'm struck by the rigid formality. What do you make of this depiction? Curator: It feels like a dance between power and myth, doesn’t it? Bonatti's cool precision, that almost clinical rendering, serves a purpose. He's showcasing these figures not just as individuals, but as embodiments of imperial ideals. Editor: Imperial ideals? Curator: Absolutely. By associating Livia and Agrippina with Ceres and a Muse, they're elevated to near-divine status. And Aelius Verus Caesar, nearly nude, is the embodiment of Roman virility. It’s propaganda disguised as art. Editor: So it's less about individual portraits and more about crafting a narrative? Curator: Precisely! Bonatti uses classical references to legitimize power. It's a fascinating intersection of art, politics, and the enduring human desire for immortality. Editor: I see it now! I will never look at Roman statues the same way again!