De exercitie met schild en spies: de soldaat met het schild gereed en de spies naast zijn rechtervoet op de grond (nr. 17), 1618 1616 - 1618

Curator: This is "De exercitie met schild en spies: de soldaat met het schild gereed en de spies naast zijn rechtervoet op de grond (nr. 17)," an engraving created between 1616 and 1618 by Adam van Breen. Editor: It's oddly compelling, isn’t it? At first glance, it almost seems like a fashion plate – this soldier’s outfit is rather... bulbous, the puffy sleeves and breeches. But something about the precise rendering gives it a stoic, almost melancholic air. Curator: Well, it is a military exercise print, after all, part of a larger series meant to instruct soldiers. So precision would be paramount. These images served as manuals, visually codifying movements and postures. The figure's dress does appear unusual by today’s military standards, but that was the height of fashion! Editor: Manuals! Right. I’m immediately drawn to the visual symbolism, especially the relationship between the spear planted on the ground – seemingly abandoned, even – and the shield held firmly. Does this suggest a specific strategic philosophy? Curator: Indeed. The imagery plays with ideas of readiness and restraint. The spear's grounding symbolizes a controlled pause, not necessarily weakness. And look closely—he isn’t gripping the shield aggressively but holds it ready. The detail suggests discipline and calculated action. Editor: So it's not just a portrait of a soldier but a depiction of controlled tension, the “readiness is all” vibe taken from Hamlet. Thinking about these manuals circulated among soldiers, they would serve not only to teach, but also build up self-confidence. Curator: Exactly. The print showcases more than technique; it embodies the cultural ideals surrounding military service, and a moral lesson perhaps – strength tempered by reason. He's not charging into battle blindly, and every object from the shield to the tip of his sword alludes to strategy, and awareness. Editor: Well, I definitely walked into this thinking about style more than strategy, and it is pretty neat that through the iconographical lens this fashion plate of sorts now illustrates the quiet moment *before* a major decision, before violence erupts. Curator: Agreed, and next time, we shall explore a less conflicted work of art, I promise!