Hurdy-gurdy c. 1750 - 1784

This is a hurdy-gurdy made by Pierre Louvet. The hurdy-gurdy's history reveals fascinating shifts in social status. Originally associated with the medieval church, it became a favored instrument of the French aristocracy in the 18th century. Composers like Vivaldi and Mozart even wrote pieces for it. The instrument's association with the upper class, with its elaborate decorations, soon shifted again: By the 19th century it was mainly played by street musicians. The instrument serves as a reminder of the ways in which art and music are shaped by economic forces. Delving into historical records like parish registers, guild records, and taxations can help us understand this beautiful instrument. Examining such documents helps us understand the changing social conditions that have influenced not only its design but also its meaning.