Miranda und Ferdinand 1782

Angelica Kauffmann, a Swiss artist, painted "Miranda and Ferdinand," an oil on canvas, sometime in the late 18th century. This work, inspired by Shakespeare's "The Tempest," encapsulates the cultural fascination with literature and theater prevalent at the time. Kauffmann’s painting captures a pivotal scene. We see Miranda’s tender concern as Ferdinand labors under Prospero’s imposed servitude. Kauffmann’s classical, almost theatrical style was well suited to the tastes of the time, and she was one of only two women to found the Royal Academy in London. This painting, with its delicate execution and focus on emotion, likely served to demonstrate her mastery and reinforce her position in the art world. Understanding this piece involves delving into the social and institutional context of 18th-century art, which was entwined with theater, literature, and the burgeoning art market. Researching the Royal Academy’s archives and correspondence from the period will provide further insight into the painting's cultural significance. Ultimately, this artwork is not just an illustration, but a product of its time, reflecting the aspirations and social dynamics of the era.