[Seated actress dressed in loose white gown], from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes by W. Duke, Sons & Co.

[Seated actress dressed in loose white gown], from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes 1890 - 1895

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drawing, print, photography

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portrait

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drawing

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print

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photography

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genre-painting

Dimensions: Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)

Copyright: Public Domain

Editor: This is a photograph titled "[Seated actress dressed in loose white gown], from the Actors and Actresses series," created between 1890 and 1895 by W. Duke, Sons & Co. What strikes me is how this small photograph speaks volumes about the performance industry in that era. What do you see in this piece? Curator: It’s fascinating to consider these promotional images within the context of late 19th-century celebrity culture. Duke Cigarettes, in producing these cards, essentially democratized access to images of performers. Think about that: previously, only those who attended the theatre or could afford portraits would have access. Editor: So, these weren't just innocent marketing tools? Curator: Not at all. The cards themselves become objects of desire, fueling a larger system of consumerism and idol worship. How do these cards shape our perception of actresses during that period? Consider the careful selection of the sitter and gown - this is a calculated effort to craft an image, isn't it? Editor: Definitely. It's a very constructed image of femininity and success, one easily consumed. Curator: Exactly. And it also served to validate the act of smoking by associating it with glamour and sophistication, therefore driving consumption of a mass produced product with images of individual uniqueness. Editor: It's really interesting to consider the subtle political and social forces at play here. I’ve definitely gained a new appreciation for this seemingly simple portrait. Curator: Likewise, it’s always good to consider the multiple lives an image can have.

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