Portret van een jonge man by Nicolaas Johannes Rinner

Portret van een jonge man 1882 - 1885

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photography

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portrait

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impressionism

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photography

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19th century

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genre-painting

Dimensions: height 84 mm, width 51 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we see "Portret van een jonge man", a photographic work made sometime between 1882 and 1885 by Nicolaas Johannes Rinner. Editor: My first impression is of faded formality, the somber tones contributing to a subdued but dignified mood. Curator: I am drawn to the albumen print. This would have been a highly skilled artisanal craft, from the preparing of the glass plate to the mix of egg whites and chemicals needed to bring this young man to life, offering us a fascinating glimpse into the technologies and practices that defined photographic portraiture of that period. Editor: Note his formal attire; it projects an aura of nascent respectability. The slightly unfocused gaze gives me a feeling of contemplation, or perhaps slight uncertainty. Does it hint at dreams, maybe unrealized aspirations? Curator: Perhaps the formal trappings mask something else: the constraints placed on photographic production at this time. A formal studio portrait, I’m afraid. Editor: I see what you mean. Still, those soft, sepia tones whisper of a past world and personal stories, preserved in silver and light. A world struggling to be modern and finding it difficult. Curator: Exactly. Consider the material reality here: silver compounds, meticulously processed on paper, resulting in a commodified likeness, displayed on the mantelpiece to show their aspirations in life. How would he afford it? Was this part of a collection displayed at his future wife’s place? So many possible interpretations when we look through the lens of social practice. Editor: A captivating tension between surface representation and underlying realities then! We must always bear in mind the powerful iconography and the social framework to which this image speaks. Thank you, an elegant examination! Curator: The pleasure was all mine. Understanding the techniques, materiality, and societal conditions in which this photographic image came to life makes you wonder who the audience was for the photo and for what reason. I appreciate that point so much!

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