The Raising of Lazarus 

Curator: Before us is William Blake’s wash drawing, "The Raising of Lazarus," held at the Tate. There's a stark dynamism to it. Editor: Indeed, the composition is immediately striking. The dramatic use of light and shadow emphasizes the raw emotional intensity. Curator: Blake was fascinated with Lazarus, a symbol of resurrection but also a psychological representation of inner transformation, from spiritual death to enlightenment. Editor: The restrained palette of grays and blacks really intensifies the emotional drama. It's almost theatrical, wouldn't you say? The figures are so expressive. Curator: Absolutely. The image is powerful because it taps into our universal hopes and fears of mortality, rebirth, and the divine. Blake invites us to contemplate these mysteries. Editor: The contrast of tones creates a compelling visual rhythm. Ultimately, it is this balance that makes the image so enduring.