Gezicht op de Great Falls of the Passaic River, New Jersey by J. Reid

Gezicht op de Great Falls of the Passaic River, New Jersey before 1866

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photography, gelatin-silver-print

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landscape

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waterfall

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photography

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gelatin-silver-print

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hudson-river-school

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realism

Dimensions: height 117 mm, width 166 mm

Copyright: Rijks Museum: Open Domain

Editor: This gelatin-silver print, taken before 1866, is entitled "Gezicht op de Great Falls of the Passaic River, New Jersey." It's striking how the photographer captured the dynamism of the waterfall while maintaining a serene stillness in the rocky landscape. What kind of symbolism do you think is at play here? Curator: The power of water is a recurring motif, not only cleansing, but as a symbol of time’s passage. I see that interplay between the constant movement of water and the seemingly immutable rock. Does the constant action of water eroding stone echo within your psyche, too? It carries, I suspect, subconscious markers about transformation and endurance. What do you notice about how the photographer framed the image? Editor: I observe that the photograph crops the waterfall rather tightly, focusing our attention on the cascading water and the adjacent rock formations. This cropping really heightens the impact. Curator: Indeed. The photographer seems intent on collapsing pictorial space, reducing any sense of grand vistas. Perhaps it hints at an underlying unease about the environment itself being curtailed or captured. This work has clear ties to the Hudson River School’s artistic philosophy. Have you heard about its symbolic representation? Editor: Only vaguely. Could you expand on that? Curator: Those artists championed nature as a divine manifestation and symbol of American identity, no? The lack of overt figures amidst this awesome force raises an intriguing possibility, that raw, unmediated nature, however turbulent, remained sacrosanct, something almost too monumental, too inherently vital to represent, something fundamentally apart from humanity. Editor: So, in a way, the waterfall itself is a symbol. Curator: Exactly. It functions almost like a monumental icon, one perpetually being remade. The photograph becomes not just a document, but a testament. Editor: That gives me a whole new perspective on the image. I initially saw just a landscape, but now I realize it's pregnant with meaning and layered symbolism. Thanks!

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