Nicolò Zoppino created this woodcut, titled "Convivio delle Belle Donne, page 11 (verso)," around the early 16th century. The composition is divided into three distinct registers, each presenting a tableau of animals. Consider the stark contrast of the black ink against the white paper. Zoppino's use of line is particularly striking: observe the rigid, unwavering strokes used to define each figure, set against the background textures. This creates a strong sense of volume and depth, pulling the viewer's eye across the vignettes. The animals depicted in each register—leopards, a monkey, and a goat alongside other wild beasts—invite us to consider the structural relationships between these scenes. Do they represent a hierarchy, a moral lesson, or perhaps a commentary on the natural world? The very act of arranging these scenes in a grid challenges our notions of narrative and spatial coherence. The piece encourages us to question how meaning is constructed through the interplay of form and content.