The Finding of Moses 1638 - 1721

Luigi Garzi created "The Finding of Moses" using pen and brown ink with brown wash over black chalk on paper. The sepia ink delineates the contours of the figures, and the landscape, each stroke rendered with precision, a testament to Garzi's mastery of drawing. Notice how the monochromatic palette imbues the scene with a sense of gravitas, echoing the solemnity of the biblical narrative. The drawing is a study, and Garzi has made corrections in white gouache, which create highlights throughout the drawing. The layered washes build volume, and there’s a remarkable sense of depth achieved through a limited range of tonal variation. The cross-hatching and stippling add texture, and the strategic use of light and shadow gives the figures a sculptural presence. By considering the materials and processes used in its making, we gain a richer appreciation of the work, and we might challenge any traditional notions of craft versus fine art.