Steamwheeler on the Upper Mississippi by Ferdinand Richardt

Steamwheeler on the Upper Mississippi 1865

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painting, oil-paint

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painting

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oil-paint

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landscape

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oil painting

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hudson-river-school

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cityscape

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watercolor

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realism

Dimensions: 24 3/8 x 31 3/4 in. (61.91 x 80.65 cm) (sight)32 1/2 x 39 3/4 x 2 1/2 in. (82.55 x 100.97 x 6.35 cm) (outer frame)

Copyright: Public Domain

Ferdinand Richardt’s “Steamwheeler on the Upper Mississippi” presents a boat rendered in oil paint, likely dating to the latter half of the 19th century. While the subject of this painting is a steam boat in nature, the smooth and polished application of paint belies the complex labor system required for the pictured subject matter. The steamboat itself was a product of burgeoning industrialization, which created new class divisions and demands on workers. The painting shows a romantic view of steamboats and nature, but conceals the true social context of the making of steamboats, the hard labor of operating them, and their impact on the environment. The soft brushstrokes and atmospheric perspective seem to float the boat into the distance. But considering the steamboat’s physical construction, it's impossible to ignore the human labor involved in the boat's creation. So, next time you’re admiring a landscape painting, remember that the view always comes with a point of view.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

As the interior of America became more accessible in the 1800s, European and American artists arrived with their sketchpads. Back in the studio, their visual notes guided their dramatic paintings of nature’s splendor. From 1855 to 1859, Richardt visited several of the country’s famous natural wonders: Niagara Falls, Mammoth Caves, Virginia’s Natural Bridge, and the upper reaches of the Mississippi River. Arriving in St. Paul in 1857, he immediately began to explore the region’s chief geographical landmarks, such as Lake Pepin and St. Anthony Falls. Nine years later, back in Denmark, he based this painting on sketches from that trip.

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