Untitled 

Kinder Album created this untitled oil painting. Immediately striking is the artwork's division into distinct zones, each defined by colour and spatial logic. We see a foregrounded interior space contrasting sharply with a church that is outside and in the distance. This tension between interiority and exteriority is further complicated by the flattening of perspective, which challenges traditional notions of depth. Notice how the red plane beneath the woman, chair, and leopard appears to tilt upwards, destabilizing our sense of spatial orientation. This semiotic interplay between elements—the woman, a conventional symbol of beauty, juxtaposed with the church, a symbol of structure—sets up a dialogue. The composition evokes an emotional response, leaving us with a sense of unease. The artist seems to ask: how do our established perceptions shape and sometimes distort, our understanding of the world? By playing with perspective, Album invites us to reconsider the structures through which we interpret reality.