Man aan het werk bij twee met een touw aan elkaar verbonden automobielen in Frankrijk 1897
gelatin-silver-print, photography, gelatin-silver-print
gelatin-silver-print
archive photography
photography
coloured pencil
gelatin-silver-print
Dimensions: height 109 mm, width 159 mm
Copyright: Rijks Museum: Open Domain
Editor: So, here we have "Man aan het werk bij twee met een touw aan elkaar verbonden automobielen in Frankrijk," an 1897 gelatin-silver print at the Rijksmuseum. It depicts two early automobiles linked together, with a man tending to one. It looks pretty staged to me. What catches your eye in this photograph? Curator: It’s fascinating how this image blends the emerging technology of the automobile with what seems like a very traditional genre scene. Photography at the time was still solidifying its position in representing modern life, and this image performs a very public role of documenting this early technology. But it’s more than just a snapshot; it speaks to the socio-economic changes of the era. Editor: How so? Curator: Well, the photograph isn't just showing cars; it's displaying early industrial innovation and what that means for society in general. The scale of this infrastructure being built asks what and who does it serve? Is this advancement benefitting everyone, or a select few? The setting appears somewhat rural, emphasizing the clash between tradition and modernity. Where do you think this puts the average person during this period? Editor: That's a good point; I was focused on the vehicles themselves, but now I'm thinking more about who gets to own and operate them. And how that impacts daily life and power structures, I guess? Curator: Exactly. Images like these were carefully composed, aiming to influence public perception and promote this new industrial era. Considering the context of burgeoning industrialism alongside artistic movements like Japonisme, the public role of images and art became central. What would you say that central role is? Editor: I guess I had never really thought of a picture of an early car as a kind of political statement! It gives me a new perspective on how to consider this genre of art and photography. Curator: Precisely. By examining images through the lens of social and economic history, we uncover hidden layers of meaning and their place in history.
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