Cloth Samples by Albert Levone

Cloth Samples c. 1940

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drawing

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drawing

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water colours

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geometric

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watercolor

Dimensions: overall: 38.6 x 29.2 cm (15 3/16 x 11 1/2 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Let's discuss this artwork by Albert Levone, aptly titled "Cloth Samples," created circa 1940. Immediately I see how color impacts visual harmony. Editor: My first thought is, "comfort." These evoke a sense of domesticity. I can imagine them in a cozy living room, perhaps curtains, even during wartime austerity. Curator: Certainly, the floral patterns evoke such comfort. Consider how the interplay of those brown, greens and reds and oranges creates complex visual tension, compared with geometric arrangements nearby. There’s dynamism and movement. Editor: That geometric print, its alternating colors offering a bold, confident pattern. You think about their presence not merely in the home, but on the body. Fashion offers ways for one to broadcast identity. Levone’s samples speak to that potential. How did these textiles, these artworks, reflect that power in their own way? Curator: Absolutely, especially when viewed through the lens of semiotics! A textile, here, represents both the everyday, quotidian object and carries latent social codes of beauty. It seems simple until decoded via lines, shapes, arrangements. Editor: It raises interesting questions about class and labor too. We should never ignore the historical context informing the aesthetic! I mean who was sewing and wearing these patterns? This becomes something not purely visual but social and deeply embedded in economic forces. Curator: True, there is a tangible shift with this work; you can observe formal shifts of color choices. It truly blends artistry and material, echoing historical changes in textile usage and mass productions as accessible design and art. Editor: Ultimately these samples remind us of the cultural forces involved in creating things. The intersection of art, society, and the deeply human need for expression through what we make and wear. Curator: I leave here pondering the formal structure—geometry interacting fluidly with botanical form—showing its capability. Editor: And for me, Levone’s work brings light to fashion’s socio-historical importance, how our material world whispers larger stories back to us.

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