Brief aan Philip Zilcken Possibly 1919

Curator: What a beautiful script! The piece, entitled "Brief aan Philip Zilcken," possibly dates to 1919. It's a mixed-media work, primarily ink on paper, and it’s signed by Jan Pit. Editor: Immediately, I’m drawn to the materiality of this piece. The stark contrast of the ink against the paper is quite striking. It's intimate and immediate, like a captured moment. What can you tell me about the cultural setting of its production? Curator: Given its context, it's fascinating to see a piece of personal correspondence elevated to artwork status. Letters were, of course, vital to maintaining social and artistic networks, shaping the dialogue within artistic circles and beyond. It seems, according to OCR'd content of this letter, that its purpose regards needing assistance overseas. Editor: Right, the labour involved is tangible, isn't it? Each stroke of the pen represents a conscious decision and direct engagement with the material. The handmade quality is also present in the medium and thick letter-shaping. And the scale suggests this was made for private viewing and distribution. How do you think that context plays into how we should view it as a work of art today, framed by art institutions? Curator: That’s a great question! These hand-done works challenge established values around authenticity and what kind of material culture is "worthy" of collection and display. Jan Pit chose a quotidian thing and then by its craftsmanship transformed it into something quite unique! Editor: It certainly blurs lines between practicality and beauty, usefulness and the artistic. Curator: Yes, this piece also gives a perspective on the networks within artistic circles in the 1900's. Editor: For me, thinking about this artist's labour is what strikes me. Curator: Indeed, thank you!