Portret van John Irwin Redick before 1871

Editor: Here we have an albumen print entitled "Portret van John Irwin Redick", taken before 1871 by Edric L. Eaton. It's a classic portrait of a stern-looking gentleman, framed within an ornate, almost theatrical border. What strikes you most about this piece? Curator: The albumen print really brings out a sepia-toned warmth, doesn't it? And I find myself pondering Mr. Redick's world. His portrait, nestled within what appears to be a family album… I wonder, who was he to the family, and what stories did he hold? Was he as serious as he looks? Did he ever crack a smile that crinkled the corners of his eyes? Maybe he loathed having his picture taken! The ornate frame is a bit much, isn’t it? Do you think that was his style or perhaps a trend of the time? Editor: I suppose the frame does feel rather exaggerated, doesn't it? Given that it is pre-1871, it must reflect an aesthetic of the era. Why go to the trouble of embellishing a photograph like that? Curator: Perhaps it was about elevating the ordinary, giving permanence and importance to a loved one. We have filters now to achieve similar effects, haven’t we? It also brings up questions of what we choose to document. Was Mr. Redick a war hero, a leading man, or an important historical figure, deserving this prominent display? Or a beloved grandfather or father, honored with this special place in the album? Editor: That is a very interesting perspective to keep in mind when trying to read photographs. It is difficult not knowing his story, but very useful as a reminder of how portraiture evolves. Curator: Exactly. Art invites us to dream. And remember that the frame we use shapes how others perceive. Let's carry that thought with us, shall we?