Table c. 1936

Editor: This watercolor drawing, entitled "Table" from around 1936, rendered by Lawrence Phillips, presents a singular table. The detail achieved with watercolor is impressive. What strikes me is the meticulous construction, how would you describe it? Curator: It presents a compelling study in form and function, doesn’t it? Notice the careful attention Phillips gives to line, particularly in defining the edges of the tabletop and legs. How does the interplay of horizontal and vertical lines influence your reading of the work? Editor: Well, the horizontals provide stability while the verticality of the legs perhaps hints at aspirations towards height and refinement? Curator: Precisely. Consider, also, how the artist uses light and shadow to articulate volume and texture. The variations in tone on the tabletop are subtly rendered, wouldn’t you agree? This is, in itself, worthy of discussion. What is achieved with these methods? Editor: I suppose it emphasizes its three-dimensionality and, consequently, its existence as more than just a diagram or blueprint. It occupies pictorial space confidently. Curator: A well-considered point. We should also appreciate Phillips’ deliberate arrangement of compositional elements. The isolated positioning of the table directs our visual attention to the object’s essential structure and elegant form. Do you think this choice has impact? Editor: Yes, without distraction, the construction can be admired more easily and the elegance of the form accentuated. Thanks for this overview! Curator: It highlights the artist's approach to his subject in an insightful manner.