Miss Jeunesse, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes by Allen & Ginter

Miss Jeunesse, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 1885 - 1891

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drawing, graphic-art, print, photography

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portrait

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drawing

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graphic-art

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print

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photography

Dimensions: Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)

Copyright: Public Domain

Editor: This is "Miss Jeunesse" from the Actors and Actresses series by Allen & Ginter, likely printed sometime between 1885 and 1891. It's a small card, presumably a photograph, but the sepia tone gives it an antique feel. What's striking is the subject herself; she seems theatrical, maybe even exoticized in her pose and costume. What's your take on this? Curator: It's fascinating how these cards reveal so much about the socio-cultural landscape of the late 19th century. They weren't just selling cigarettes; they were selling aspirational lifestyles, and promoting particular ideas about beauty and entertainment. Consider who ‘Miss Jeunesse’ might be: Likely a stage performer, carefully posed to appeal to the emerging consumer class. What kind of power dynamic do you see operating here, between performer, the producers and the consuming public? Editor: I guess I hadn't thought of it that way. It seems exploitative on one level – using this woman’s image to sell cigarettes. But was she complicit, actively participating in her own image construction for celebrity? Curator: Exactly! And it raises broader questions. Think about the cultural institutions that were being established at the time, like museums and public theaters. These cards functioned, in a way, as miniature portable galleries, circulating images of beauty and celebrity, effectively democratizing access. How do you think it might change people's ideas about femininity, for example? Editor: So, it’s not just a photograph on a card; it’s part of this bigger system of image production and distribution, helping shape public perception and cultural values. That's something to think about. Curator: Precisely. Seeing it in its historical context makes it more than just a pretty face. Editor: Absolutely, I’ll definitely look at images from the past with a wider lens from now on.

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