Quart Mug by Thomas Danforth, III

Quart Mug 1777 - 1818

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bronze, sculpture

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sculpture

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bronze

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sculpture

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monochrome

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monochrome

Dimensions: H. 5 3/8 in. (13.7 cm)

Copyright: Public Domain

Curator: Looking at this image, I immediately feel a strange sort of comfort. It is simple, almost monastic, and very cold to the touch I would imagine. Editor: Indeed. What we have here is a Quart Mug, dating from around 1777 to 1818. It’s currently held at the Metropolitan Museum of Art and was crafted by Thomas Danforth III. Curator: Thomas Danforth...I imagine him as a pragmatic fellow. This isn't about flash, right? This is about function. The elegance is in its plainness. A working object elevated through honest craft. Editor: Precisely. The material itself, likely pewter given the era and Danforth's production, speaks to availability, cost, and use. Consider pewter’s low melting point; this dictated design limitations but also facilitated wider production by less specialized smiths, increasing accessibility. Curator: Right. So it speaks to class, trade, accessibility...far removed from royal silver, wouldn’t you agree? Editor: Absolutely. It democratizes a daily ritual. Imagine, countless hands grasping that very handle, drawing life from a simple, shared form. Curator: The handle’s kind of intriguing; there is an odd sort of flourish where it connects, and then that satisfying little curl at the base, grounding the whole vessel. Is that typical, would you say? Editor: The handle design blends utility with understated elegance, not unique to Danforth, but emblematic of the period. That form offers comfort, efficient grip, and also visual grace without excessive ornamentation. These subtle touches reflect the tension of needing usefulness, while seeking artistic aspiration in post-colonial craft. Curator: So more than *just* a mug. A historical snapshot baked into a pewter vessel. Something sturdy made well that speaks softly now. Editor: Indeed, we gain a deeper understanding of its story by seeing how this mug blurs those artificial separations of art, labor, and commerce of the time. Its form transcends mere functionality to tell a broader narrative of craft in early America. Curator: You're right, something as simple as a mug, and suddenly, you see entire worlds brewing inside. Thank you for that. Editor: My pleasure, always insightful exploring tangible objects through less material means.

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