Asia (part of a set) 1763 - 1767

Curator: Let’s turn our attention to this porcelain sculpture, "Asia," which was produced by the Nymphenburg Porcelain Manufactory between 1763 and 1767. It is currently held at the Metropolitan Museum of Art in New York. Editor: Wow, talk about making an entrance! He's perched on what looks like a rocky outcrop filled with weird sea creatures, casually draped in what appears to be a Scotsman's kilt! Curator: Indeed, this work, made of ceramic and porcelain, belongs to a series representing the continents, a popular theme reflecting the era's burgeoning global awareness colored by European perspectives and power dynamics. "Asia," in particular, offers insight into the 18th-century European worldview. Editor: Worldview, huh? That confident gaze, the casual posture... I sense some colonial undertones lurking beneath the pretty porcelain. Is it just me, or does he seem to embody that whole "conquer and possess" vibe? Curator: Your impression resonates with critical perspectives. We can unpack the ways in which depictions like these reinforce notions of European dominance and exoticize other cultures. His very pose embodies a kind of casual entitlement. Editor: Entitlement glazed with a wink and a handlebar mustache! Though, gotta admit, the technical skill here is impressive. The porcelain is so smooth, and the details on the, uh, monstrous rock-beast are incredibly well done. Curator: The Rococo period was definitely peaking at that time, and this is an important example of decorative art in porcelain sculpture. What do you make of this figuration leaning towards erotic art and history painting all in one object? Editor: Tricky. I'm simultaneously drawn to the craftsmanship and repelled by the implications. The fact that this was someone’s idea of ‘representing’ an entire continent is just... bizarre. But I suppose it’s fascinating precisely because it’s so problematic. Curator: It serves as a potent reminder of how art is inextricably linked to the power structures and social values of its time. Editor: Absolutely. It challenges us to really dig beneath the surface. This piece has thrown my notions about art into an intercultural spin!