Allegorie op oorlog en vrede 1716 - 1771

Curator: This engraving, "Allegorie op oorlog en vrede" by George Bickham (II), made sometime between 1716 and 1771, is a complex piece now held at the Rijksmuseum. The contrast between the objects on each side create tension, making me consider the duality of humanity. What’s your first impression? Editor: It's definitely packed with symbolism! I notice the sharp contrast – the left side seems to represent war with weapons and severed heads, while the right has fruit and what looks like embracing figures. What do you make of the figures flanking each scene? Curator: They act as supporting figures that highlight distinct aspects of the period. Look closely at the left, the possible interpretation of destruction and pillaging may expose past narratives. Then, consider the other side's embracing figures and the luscious plants underneath which suggests wealth through land. Could we explore the perception and normalisation of wealth and pillaging through past narratives? What might the intended audience have thought about such a contrast? Editor: I hadn't thought about it that way. Seeing them connected through war and peace helps to contextualize their presence. Were pieces like this common during the Baroque period, and what purpose might they have served? Curator: Allegories were certainly in vogue, and often used to communicate political or moral messages. But this engraving pushes beyond simple representation. Think about the relationship between power, violence, and prosperity—whose stories are being told, and whose are being erased? It encourages us to question those very structures. Editor: So, it’s less about glorifying a specific victory or championing peace, and more about prompting a deeper conversation about societal values? Curator: Exactly. By placing war and peace in such stark contrast, Bickham compels viewers to critically examine the underlying systems of power and their consequences. That's what makes this piece still relevant today. Editor: It's incredible how much you can unpack by looking at art through that lens. I'll never look at another allegory the same way again! Curator: Nor will I, thanks to our discussion! Thinking about it with fresh eyes allowed for a different perspective on themes such as war and prosperity in engravings.