Parakeets among Hydrangeas and Poppies by Sō Shiseki

Parakeets among Hydrangeas and Poppies after 1770

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painting, hanging-scroll, ink, pendant

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painting

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asian-art

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ukiyo-e

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japan

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hanging-scroll

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ink

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pendant

Dimensions: 13 1/2 × 22 5/8 in. (34.29 × 57.47 cm) (image)49 3/8 × 28 1/16 in. (125.41 × 71.28 cm) (mount, without roller)

Copyright: Public Domain

Sō Shiseki painted *Parakeets among Hydrangeas and Poppies* in 18th century Japan using ink and color on silk. Shiseki was a leading figure in the Nanpin school of painting, which emphasized realism and naturalism, in contrast to the more stylized approaches of traditional Japanese art. The flowers and birds depicted here are more than just pretty images; they are laden with symbolic meaning. The parakeets, with their vibrant colors, might represent joy and sociability. Hydrangeas and poppies can signify gratitude and remembrance, weaving together themes of transient beauty and enduring connection. Shiseki’s work reflects a tension between Japanese artistic traditions and influences from other cultures, particularly China. By embracing a more naturalistic style, he challenged established norms and offered a fresh perspective on the natural world. Consider how the artist's pursuit of realism invites us to observe nature more closely, finding beauty in the intricate details of the flowers and birds. In a world often defined by rigid social structures, this painting suggests a space for personal expression and appreciation of the natural world.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Two parakeets rest among flowers on an early summer day. The composition is dominated by the large branch of hydrangea but anchored in the lower left corner by a rock and colorful poppies. Chinese painting techniques, including shading on the petals and leaves and a light, uneven wash of ink in the background, are used to heighten the sense of three-dimensionality. The painter, born Kusumoto Kōhachirō in Edo, studied Chinese bird-and-flower painting in Nagasaki, first under Japanese followers of the celebrated Chinese realist painter Shen Nanpin and later under Song Ziyan, who inspired him to adopt the name Sō Shiseki (pronounced “Song Zishi” in Chinese).

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