Madonna and Child 17th-18th century

This small sculpture carved out of ivory depicts the Madonna and Child, and was likely produced during a period in which the Catholic church held significant power. We can see the pair locked in an intimate embrace, exemplifying the tenderness expected of motherhood, while subtly reinforcing the idea that motherhood is the ultimate purpose of womanhood. But the Madonna is more than just a mother; she is also the Queen of Heaven. The material itself is of interest – ivory. It’s a valuable material, coming from a large animal, a symbol of wealth and status. Its use here elevates Mary, whose humble origins are in stark contrast to the precious material used to depict her. We are left with a portrait that reflects the complex intersections of religion, gender, and class.