Plate 10: a horse lying down in center, a cow and two goats to right, two seated shepherds to left, a waterfall and a mountain to left in the background, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome) 1643 - 1648

Stefano della Bella created this etching, ‘Roman Landscapes and Ruins’, capturing a pastoral scene within a circular frame. The resting horse is central; a symbol of vitality and nobility, now at rest, hinting at the transience of power. Consider how this motif echoes in equestrian statues across Europe, where horses embody strength and dominion. Here, the horse’s repose invites contemplation on mortality. Similarly, the shepherds recall classical Arcadia, a symbol of idyllic simplicity, yet tinged with melancholy. This longing for a lost, harmonious past is a recurring theme, reappearing in various artistic forms throughout history. The flowing water, an emblem of constant change and the passage of time, contrasts with the enduring mountain, representing stability and timelessness. These symbols tap into our collective memory, resonating with deep-seated emotions about change, stability, and our place in the world.