Applique Quilt (Friendship Quilt, or "Baltimo re Bride's Quilt") by Mary Ann Burton

Applique Quilt (Friendship Quilt, or "Baltimo re Bride's Quilt") c. 1942

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textile

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folk-art

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textile

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folk-art

Dimensions: overall: 35.4 x 24.4 cm (13 15/16 x 9 5/8 in.) Original IAD Object: Approx. 4'x5'

Copyright: National Gallery of Art: CC0 1.0

Curator: At first glance, I see an aura of domesticity and meticulous care. The handcraft exudes such patience, and it draws you in, doesn't it? Editor: It does. Knowing this is an "Applique Quilt," made around 1942 by Mary Ann Burton, gives that feeling even more depth. Looking closer, though, I find it intensely political as well. There’s the overt symbol of the American flag clutched by an eagle. It feels intensely patriotic and connected to that WWII moment. Curator: Precisely! And not just political, but deeply personal. Quilts, traditionally made within female circles, are often imbued with encoded memories and aspirations. Here, consider the visual language. Flowers represent beauty and transience, the birds freedom and peace, and the wreaths honor and continuity. All these arranged with the center square on the bottom representing Nation. Editor: Definitely! But there's something bittersweet here. The delicate rendering and the almost innocent symbols juxtapose with the wartime reality—a reality marked by profound upheaval. It seems to long for simpler, idealised times through potent symbolism of unity. The question for me is was this just a remembrance, or an expression of hope amidst that turmoil? Curator: That tension, the longing for an idealized past juxtaposed with a complicated present, becomes quite potent in the quilt. The patterns give the mind ways to meander between both, the past and present. Editor: The artist utilizes a powerful intersection of personal expression and collective sentiment to build shared, symbolic memories and meanings through recognizable figures that resonate across the population of a Nation. This can foster cohesion during crises and in that way also bolster resilience. Curator: That speaks to its resonance today. By examining cultural memory embedded in symbols such as the lyre or the cornucopia and reflecting on this potent moment, the work calls forth shared identity even now, long after this beautiful quilt has been completed. Editor: Absolutely. It's a powerful reminder of how everyday objects become testaments to resilience. Art doesn't have to be explicitly activist to serve that purpose— sometimes its inherent witness offers the greatest strength.

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