Heide bij Laren by Jan Fekkes

Heide bij Laren 1916

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drawing, pencil, charcoal

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drawing

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landscape

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charcoal drawing

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pencil drawing

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pencil

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charcoal

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realism

Dimensions: height 265 mm, width 378 mm

Copyright: Rijks Museum: Open Domain

Curator: This charcoal and pencil drawing, titled "Heide bij Laren," dates back to 1916 and is the creation of Jan Fekkes. It presents a very wide view. Editor: The first thing that strikes me is the stark contrast—the almost harsh, detailed foreground gives way to a hazy, dreamlike sky. It is as if the weight of the earth presses against an intangible freedom above. Curator: The Laren heath, part of the Gooi region in the Netherlands, became a popular destination for artists at the turn of the 20th century. The art historical context shows this area developed as a location of inspiration and, of course, as a real estate market that supported art production. Editor: Absolutely. And looking closer, you can see how the landscape is built up through layers of skillful mark-making with the charcoal and pencil. Think of the process itself—grinding down materials, meticulously applying them. There is an immense amount of labor represented by the sheer quantity of detailed marks. The physical action involved is captivating when one contemplates the final form of this piece. Curator: Considering the social dynamics, we can consider how artists portrayed the rural landscape as a retreat, a nostalgic escape from growing industrialization and urbanization during World War I. The "Heide" became this iconographic subject, celebrated in paintings, literature, and tourist guides of the era. Editor: Precisely! While appearing picturesque and serene at first glance, these heaths were actively cultivated and managed. Someone invested time and resources so an artist could portray that lifestyle and land use with locally acquired material to render in consumable artistic production. Curator: So, Fekkes taps into that cultural landscape, presenting a readily recognizable, romanticized vista but simultaneously participating in a very modern art market. The historical role and legacy can’t be denied! Editor: A powerful piece; making you question romanticism itself. I see now an incredible amount of work embedded in what first appears as bucolic tranquility. Curator: A fruitful discussion! Editor: Indeed, another case where studying materiality truly brings context to life.

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