Eén of twee Adressen wegens de bisschoppelijke Hiërarchie? by H. Hörcker

Eén of twee Adressen wegens de bisschoppelijke Hiërarchie? 1853

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print, paper, typography

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paper non-digital material

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dutch-golden-age

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print

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paper

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typography

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historical font

Dimensions: height 23.1 cm, width 14.7 cm

Copyright: Rijks Museum: Open Domain

Editor: This print, titled *One or Two Addresses Regarding the Episcopal Hierarchy?* by H. H. Hörcker, dates back to 1853. The typography is striking, giving it an almost official look, but there's also something unsettling about the directness of the language. What do you see in this piece? Curator: It immediately strikes me as a rallying cry. Notice how the use of script evokes earlier eras when broadsides might stir social unrest or political resistance. The pointed questioning in the title leads to other questions such as, What is it rallying for, and against whom? The repeated mention of “Protestants” roots it within specific cultural and religious conflicts. The print reminds people to stay true to their convictions while calling out perceived oppression. Editor: It seems like a persuasive piece. Curator: Yes, absolutely. It carries significant cultural memory—it’s an artifact documenting deeply held convictions of that era, meant to trigger a strong response through carefully chosen words and their historical weight. See how certain phrases like “Rome’s geistelijken dwang,” or "spiritual compulsion of Rome," are designed to immediately create a reaction with an implicit association between oppression and religious rule. Do you see how it is working on the psychology of its audience? Editor: I do. It's fascinating how type can carry so much meaning, creating continuity between then and now. It highlights how cultural memory continues through visual symbols. Curator: Indeed. It is also a call to consider historical circumstances in their relationship to present ones.

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