Jason by  Seamus Nicolson

Jason 2000

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Dimensions: support: 1012 x 1425 mm

Copyright: © Seamus Nicolson | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Seamus Nicolson's photograph, simply titled "Jason," captures a scene that feels both familiar and strange. There's a narrative tension in its composition. Editor: Yes, it is darkly lit, making the fruit stand out like a beacon. The figure of Jason is almost silhouetted, obscuring identity, emphasizing anonymity. Curator: Light functions as a key symbolic element here. The contrast between the shadowed foreground and the brightly lit interior invites associations with liminal spaces. Editor: True. It provokes questions about access and exclusion. Who has access to fresh produce, to safety, to community? The shadow seems to swallow Jason. Curator: The layering of visual elements, from the posters to the produce, is intentional. It hints at the cultural narratives embedded in seemingly mundane spaces. Editor: Absolutely. It highlights the intersection of global commerce and local community. Curator: This photograph leaves me thinking about the symbolism of thresholds. Editor: I see the work as a reminder of inequality. Art can reveal these silent realities.

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tate's Profile Picture
tate about 1 month ago

http://www.tate.org.uk/art/artworks/nicolson-jason-p78532

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tate's Profile Picture
tate about 1 month ago

Seamus Nicolson's photographs appear to record casually-observed scenes from everyday urban life. Set almost exclusively at night, they seem to capture young people in moments of introspection as they make their way to or from their evening's entertainment. In fact, Nicolson's photographs are recreations of just such glimpsed scenes, stage-managed and directed by the artist after the event. By restaging seemingly trivial events and freezing them in time, Nicolson elevates them beyond the everyday. His portrait of Jason draws our attention to the beauty of the vegetables on display outside the shop, reminiscent of seventeenth-century Dutch still life painting. Gallery label, September 2004