Bulgarian Copper(?) Imitation of Tetarteron of Manuel I (Class A) c. 12th century

Editor: So, this is a copper imitation of a Tetarteron from Manuel I, located at the Harvard Art Museums. It's quite small, and the details are worn, but it still feels significant. What do you make of it? Curator: Well, immediately, I'm drawn to the act of imitation itself. This isn't just a coin; it's a statement about power, influence, and perhaps even resistance. Who was creating these imitations, and what were their motivations in circulating them? Were they undermining or participating in Manuel's authority? Editor: That's fascinating! It's like a form of early political commentary, maybe? Curator: Exactly. The materiality speaks volumes too, doesn't it? Using copper instead of the original's intended metal suggests a different economic reality and a different intended audience. It brings up questions about authenticity and value. Editor: I hadn't considered the copper as a deliberate choice with so much meaning. Thanks! Curator: My pleasure, it's important to look beyond the aesthetic to see how art reflects societal power structures.