Dimensions: support: 356 x 279 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Julio Gonzalez’s "Figure with Balls, known as ‘Severe’", a pen and ink drawing. The title definitely fits; it feels very austere. What stands out to you about Gonzalez's process here? Curator: The roughness of the materials speaks volumes. Gonzalez, known for his metalwork, reveals a different kind of labor in this drawing. Notice how the pen strokes aren't delicate; they're forceful, almost like he's forging the image onto the page. Editor: So, you're saying the drawing mirrors his sculptural process? Curator: Exactly. Consider the availability of materials during the late 1930s. Metal might have been scarce, pushing him to explore form through more accessible means. This drawing isn't just a sketch; it's a record of material limitations and creative solutions. Editor: That makes me see the work differently now. The 'severe' quality isn't just aesthetic; it's tied to the constraints of its creation. Curator: Precisely. We can appreciate its artistic merit and how social and material conditions shape the work.
http://www.tate.org.uk/art/artworks/gonzalez-figure-with-balls-known-as-severe-t01615
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González used drawing as a primary way of exploring his ideas. These drawings, made over a six-year period, show how his abstract idiom was rooted in reality and, especially, in the figure. González concentrated on upright structures that, if translated into sculpture, would make use of the strength and balance available from welded iron. This group gives a sense of his inventiveness as he worked towards images with a high emotional charge. Gallery label, August 2004